Kenarchy Journal: Perfecting Love, 2025, Volume 7
The Great Music: Perfecting Love in Order and in Chaos
Author:
Spencer Thompson
Abstract
This paper starts from the observation that the modern world is characterised by a particular sense of discord, which seems to be broadly shared and to pervade multiple domains. To understand this discord, the paper proposes that the prevailing order of the modern world is driven by a logic of chaos elimination, within which we are prone to conflate chaos with discord, and order with harmony. But in fact, fields ranging from information theory to physics indicate that harmony is defined by a kind of divine marriage between order and chaos, meaning it is precisely the attempt to eliminate chaos that results in discord. The modern order also fulfils its own prophecies, while failing on its own terms, by provoking a corrective form of chaos that truly threatens it. The paper goes on to demonstrate that the creation myth of Genesis amounts to a defence of chaos, which, as propagandised in the earlier Babylonian myth, the imperial order sought to eliminate. Following the arrival of discord that accompanied the Fall, the Law represented an order that left room for the divine chaos, while the Prophets represented a chaos that reopened the door to the divine order; yet the hope of harmony remained unseen. The paper draws on the work of J. R. R. Tolkien to illuminate the way that this hope can be realised, pointing to a ‘higher harmony’ that is capable of including and transcending even the discord of the world. Examining the New Testament correlation between agape (self-giving love) and teleiotētos (consummative harmony), the paper concludes that it is Love, and only Love, which achieves the higher harmony, and in so doing recreates a world uniquely conducive to the flourishing of all things.
DOI:
https://doi.org/10.62950/vupl71
Pages 1-21
The Kenarchy Journal